Martropía. Conversaciones con Spinetta (Spanish Edition)


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Artaud (album)

Sign Up With Email. Sign Up. Sign In. Follow Unfollow. Follow Following Unfollow. Selected cover design for non-fiction books at Penguin Random House between and You can also visit my book design archive here.

El flaco Spinetta habla sobre la música cósmica, y sobre el jazz y su influencia

Debate DeBolsillo Spanish edition of a french renowed essay. An argentine economy manual. Economy Nobel Prize winners private life stories. Reedition of conversations with the argentine rock legend Luis alberto Spinetta. Plyasovskikh A.

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Artaud (album) - Wikipedia

Las maldiciones Hasta que puedas quererte solo Pablo Ramos. Todos los fuegos, el fuego Rock is here: Buenos Aires. Marcelo Lamela. Diego Scott. Truman Capote. Sanar en el alma, curar en el cuerpo Sara Levita. Ricardo Piglia. Pasaron cosas Pedro Rosemblat. Las viudas de los jueves Caballo de fuego. Congo: [congo] Caballo de fuego Volumen 2 Lo que dicen tus ojos Romantica punto De Lectura Ser.

Shatrakov A. Robert J. Muhammad Akhtaruzzaman. Fujie Tang. Keow Ngang Tang. A Global Casebook of Sexual Homicide Heng Choon Chan. When warning us about the interior activity, it seems that he wanted to write literature and evil, which is then written by another great writer like Georges Bataille. But it is as if he embodied it. Artaud is an inconceivable torment. The guy was not very healthy. He was a meningitic, addicted to morphine and other drugs all his life to try to avoid headaches and other symptoms of his ill-cured disease at that time.

He recognizes his illness and tries to transform his language. It is incredibly deep. Of that quality is Artaud to write about something that is unspeakable. Only he dares to speak in this way about the things he sees and feels, and to enter into the world of neurons and their nightmares, of the biological nightmare of thinking. It seems that all the time he wanted to extract the evil from his poetry and put it in evidence because he does not want to be weak.

He does not want weakness and torment, then he accuses, sentence.

Spinetta, Luis Alberto

Artaud sentence, is sententious. That makes it poetic,williammblakean, forecaster of nightmares. And much more innocent than the innocent, because if you could write with such quality you could possibly get rid of your ills. Only momentarily. At the same time, it is seen that the pain came later; before and after that for him. But writing that pain, in that way, allows you to keep breathing, or otherwise you would have killed yourself following a text. Luckily he came up with one after the other He has those abductions, he invents the world.

A tremendous genius: unavoidable and unplayable. Unavoidable for literature, unplayable for philosophy. Unplaceable And great for the linguistic contribution.

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The vision is great. It is a world of cells that feel. It enters the being like the blood of his own body and from there he speaks. It's deadly, almost as big as there is to read -Luis Alberto Spinetta. The cover of the original disc is not square, as it was and still is usual in discs, but it was designed by Spinetta so that it had an irregular octagonal four-pointed shape, with a green background and with a yellow spot in its lower left quadrant.


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On the front is a small photo of old Artaud, in the upper right corner, while in the quiet part of the building there is a small photo of Artaud similar, but young and in the upper left corner. The original disc has a white inner envelope, with the list of themes and credits, as well as an Artaud quote written in capital letters, which says:.

The green for the resurrection and the yellow for the decomposition, the decay? Named after and dedicated to French poet Antonin Artaud , [3] the album's lyrics and concept are influenced by his work, particularly his essays Heliogabalus: Or, the Crowned Anarchist and Van Gogh, the Man Suicided by Society. Artaud is now considered by many to be one of the greatest albums, if not the greatest, in the history of Argentine rock, and Spinetta's magnum opus. Credits adapted from the liner notes of Artaud. Images, videos and audio are available under their respective licenses.

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